The Fault in Our Stars (2014)
Hashtag in Digital Piss
NO BUT YOU ALL NEED TO UNDERSTAND HOW FUNNY THIS IS THEYRE LITERALLY FILLING A ROBOT WITH BULLETS, LIKE BULLETS THAT YOU FIRE FROM A GUN. NOW NORMALLY FIRING A GUN TRIGGERS THE BULLET TO EXPLODE CREATING A PRESSURE THAT CAUSES THE TIP OF THE BULLET TO BE FORCED OUT OF THE BARREL AT A HIGH SPEED.
WHaT CAVE JOHNSON’S TURRET’S DO IS LOAD A TON OF FUCKING BULLETS INTO THE CASE OF THE SENTRY LIKE IT”S A GODDAMN GUMBALL MACHINE AND THEN USE A FUcKIN SPRING LOADED PISTON TO FIRE IT THAT IS SO UNNECESSARY AND INEFFECTIVE LIKE NO WONDER CHELL CAN RESIST SO MANY BULLETS THE LIKELIHOOD ITD CAUSE ANYTHING MORE THAN A BAD BRUISE IS LIKE ONE IN A HUNDRED
It’s not that funny.
tumblr is literally the result of putting teenagers together without any adult supervision whatsoever
well it was either this or lord of the flies
I am an adult you are all in time out
women are better than men = misandry
men are better than women = misogyny
men and women are equal = feminism
everyone is equal but also shit = misanthropy,
everyone’s equal when they’re dead = lesmiserables
everyone’s dead = supernatural
everyone’s important = doctor who
everyone’s an idiot = sherlock
everyone’s food = hannibal
This post = bad
Online fandoms are now the popular media equivalent of the tech world’s early adopters. If you can get people to start blogging and tweeting about your TV show or movie, half the work is already done.
The good news is, your social media campaign doesn’t even need to be all that subtle. If you say that you’ll release the new Divergent trailer after a thousand retweets, a thousand fans will retweet you, cheerfully aware that they’re own Twitter feeds are being used for advertising purposes. Even fast food joints are trying to build their own fandoms, with Denny’s currently in the lead thanks to their inexplicably cool Tumblr presence.
Inevitably, there’s now a lucrative market for social media consultants who can engineer online fandoms from scratch, with the fans as willing participants in the deal. It’s an “if you build it, they will come,” kind of situation. Fans want to show support for their favorite TV show or movie, even if they’re completely aware that it’s a cynical marketing ploy. In the era of Facebook communication, you are what you Like.
In a recent episode of PBS documentary series Frontline, Douglas Rushkoff took a look at various social media fandoms from the ground up. With YouTube star Tyler Oakley at the most organic end of the popularity scale and the Hunger Games movies as the most professionally cultivated example, all of those fandoms had one thing in common: a desire to feel closer to your idols, even if the most tangible sign of that relationship is a retweet.